Terry Gilliam is
an innovative, imaginative, over-involved filmmaker who I admire immensely, but
even I was taken aback by the amount of effort he put into his yet-to-be film
based on Don Quixote. The documentary Lost
in La Mancha chronicles the doomed production of a film which had a
finished script, cast actors, and extensively developed puppets, costumes, and
sets. It boggles my mind that a project with that much work put in to it could
be canceled, but as the filmmakers reveal throughout the movie, things fall
apart, and disasters snowball quickly.
The burning
question behind this observational documentary is what caused a production with
so much promise to fall apart? Though even the briefest description of the
documentary lets the viewer know that Gilliam’s work will be thwarted, I found
myself tense and hoping that the high stakes of making a movie would be
achieved. The filmmakers took the role of fly on the wall, and so we were privileged
to see Gilliam meeting with his crew, the development of the elaborate props
and set pieces, and the sheer devotion Gilliam puts into his filmmaking. As we
follow along in pre-production, it quickly becomes clear that they’re on a
schedule with no room for error. There’s no slush fund, no extra days of
filming, no back-up plan. It’s do or die for this crew, and it’s gut-wrenching
to watch events unfold.
Personally, I
loved this documentary, as it was a quick little peek into the world of
filmmaking when things go wrong. The
story was told in a linear fashion, with almost no interviews, so the audience
feels almost like they’re a production assistant or personal aide on set, privy
to every misfortunate coincidence and bad decision. Though no one is particularly
inept at their job or easily to blame, it quickly becomes clear that a lack of
organization or a unified plan pushed this production to the edge. After that
one rainstorm and a primary actor’s health problems were enough to seal its
fate as failure.
It was sad to see
how quickly the magic of creation can be boxed, labeled and stored. Fantastic
costumes and life-size puppets were all packed up in what could only have been
a matter of days, and Terry Gilliam was left to fight an insurance company for
ownership of his script. While that makes sense in terms of financing a film
and designating ownership of a creative project in order to see it fully
realized and to make a living from it, it seem ridiculous that the man who
wrote the script ended up losing his right to make something from it. On the
other side of the coin are all the investors who lost a phenomenal amount of
money when this film went through to production before being shut down.
If nothing else, Lost in La Mancha is a fable for filmmakers.
Our heroes tried to bring something fantastic to life in the name of art, but
the moral of this story is that business always wins.
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